CB1

March 30, 2015, 9:01am

Play, Shuffle, Repeat: Annelie McKenzie at CB1

Painting, perhaps more than any other medium, has existed as a site for reconciling the systemic biases of art history, of which a large percentage are encapsulated in painting's own history. Painting has historically referenced previous imagery – subjects of the Renaissance were aesthetic updates to earlier depictions of the myths of the Bible and ancient Greco-Roman cultures found in past sculpture, frescoes, mosaics, manuscripts, textiles, etc. Subsequent derivative idioms, such as the master's copy and homage, have lineages stretching back long before anything could have even been labeled pre-modern. Neoclassicism was an agenda-based, aesthetic do-over by definition; Modernism's brief, valiant attempt at creating a future caught its breath in the late 20th century and painting began, again, to eloquently engage in a conversation with itself about itself. Although in contemporary art this is not unique to any one medium, there is enough cultural resonance specific to painting that it justifies the reflexive nature of artists continuing to investigate its unique position in history. – Jason Ramos, Los Angeles Contributor


Annelie McKenzie, The Enthusiast. Exhibition installation images courtesy of CB1 Gallery, Los Angeles.

Listed under: Review

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